Solid-dyed workhorses across cotton, silk, rayon and blends.
Fine, tightly-woven cotton lining — the invisible workhorse behind every well-finished garment.
Cotton with a chemical or friction glaze polish — the crisp lustre of chintz on a fully cotton base.
Fluid viscose rayon — the fabric that dyes to the deepest colours and holds detailed prints with photographic fidelity.
Linen woven with a crepe twist — the crisp hand of linen with the pebbled surface and cleaner drape of crepe.
Satin-weave fabrics in silk, viscose and polyester — mirror-smooth face, matte reverse, and the definitive slip-dress drape.
Sheer, grainy-hand georgette with a fluid moving drape — the fabric of the Indian saree pallu.
Sheer, crisp, weightless organza that holds structured volume — the primary fabric of sculptural bridal silhouettes.
Plain-dyed Chanderi — the featherlight silk-cotton weave without patterned borders, ready to cut, sew or overprint.
Crisp Dupion woven from two threads with characteristic slubs — the bridal-blouse and structured-piece staple.